Deconstructing Female Empowerment in 1930s New England
By Patrick Hurley
Considered a feminist classic, an avant-garde trailblazer, and a groundbreaking theatrical experience Fefu and her Friends by Maria Irene Fornes, playing now at the Odyssey Theatre Ensemble, is at once confounding, inquisitive, and thought-provoking.
Wrong Proves Sometimes To Be Sort of Right.
By Patrick Hurley
Somewhere between a Vegas show and a Theme park experience sits The Play That Goes Wrong, a Mischief Theatre Production- playing now at the Ahmanson theatre.
Indecent: an Incandescent Tribute to the Power of Art
By Patrick Hurley
Clocking in at one hour and forty-five minutes, Paula Vogel’s Indecent, playing now at the Ahmanson theatre, packs as many themes and covers as much ground as probably theatrically possible in that time.
Read more Let Me Make This Perfectly Queer
Theatre is a queer art.
This might be a bold, generalization, for surely there can be no cultural attachment to an artform, only works of art that are submerged within it.
Read more Smoke & Mirrors Is A Fabulous Allusion.
By Patrick Hurley
Sash Velour, winner of Season 9 of RuPaul’s Drag Race, brings a performance art aesthetic to Drag in her one-queen show Smoke & Mirrors, and the result is a technically impressive blend of camp, memoir, and fabulousness.
A Letter to John Kelly
By Patrick Hurley
Dear Mr. Kelly,
This is in response to your solo performance art piece titled, Time No Line that I just saw at Redcat in Los Angeles.
Read more Singin’ in the Rain is a Delightful Revisit to A Glorious Feeling.
By Patrick Hurley
There are very few movie musicals that are so well-written, solidly structured and infused with such joy that a mere re-creation on stage almost seventy years later actually works. Singin’ In the Rain, playing now at La Mirada Theatre for the Performing Arts, is such a show.
Read more Falsettos Does Set Oh So Typical Standards.
By Patrick Hurley
In the pantheon of Musical theater, where originality has been ebbing farther and farther away from the reboot, remake, revival culture that is Broadway- we find ourselves, quite inexplicably, stranded on the nearly three-hour island that is Falsettos, playing now at the Ahmanson.
Read more Didion’s Search for Meaning Opens a World of Wonder
By Patrick Hurley
The intersection between past and future, between meaning and chaos- all the lingering inertia that implies a sense of false permanence and comfort come together in the telling of Joan Didion’s masterwork, “The White Album,” a seminal essay that deals with the struggles, both visceral and cultural, that defined a generation of Americans, and gives voice to the uncertainty, the freedom, and the impossible thrust toward more progressive modernity. The time was the late 1960s, the place was Los Angeles and the voice was Joan Didion. CAP UCLA in association with Center Theatre Group presents the essay as a performance piece created by Lars Jan/Early Morning Opera.
