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Posts tagged ‘Patrick Hurley’

9
Sep

John Leguizamo Gives a Long Overdue, Passionate and often Hilarious History Lesson

Most American History textbooks are lying to us. The Eurocentric, xenophobic, and excruciatingly myopic view of this land we call America gets a proper re-telling by the hilariously entertaining John Leguizamo in his solo show Latin History for Morons, playing now at the Ahmanson Theatre.

Photo by Matthew Murphy.
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31
Aug

Confounding Witch Leaves Much to Be Desired

At some point recently, the theater, at least in Los Angeles, has changed from a medium of thematic exploration and development to one of undisguised political posturing and heavy-handed morality.  The latest victim of this sophomoric writing style is Witch, written by Jen Silverman and playing now at the Geffen Playhouse. 

Photo by Jeff Lorch
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11
Aug

Deconstructing Female Empowerment in 1930s New England

By Patrick Hurley

Considered a feminist classic, an avant-garde trailblazer, and a groundbreaking theatrical experience Fefu and her Friends by Maria Irene Fornes, playing now at the Odyssey Theatre Ensemble, is at once confounding, inquisitive, and thought-provoking.

Photo by Enci Box
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11
Jul

Wrong Proves Sometimes To Be Sort of Right.

By Patrick Hurley

Somewhere between a Vegas show and a Theme park experience sits The Play That Goes Wrong, a Mischief Theatre Production- playing now at the Ahmanson theatre.

Photo by Jeremy Daniel
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12
Jun

Dear John

Dear John,

🌈 Happy Pride! 🌈

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10
Jun

Indecent: an Incandescent Tribute to the Power of Art

By Patrick Hurley

Photo by Craig Schwartz

Clocking in at one hour and forty-five minutes, Paula Vogel’s Indecent, playing now at the Ahmanson theatre, packs as many themes and covers as much ground as probably theatrically possible in that time.

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25
May

Smoke & Mirrors Is A Fabulous Allusion.

By Patrick Hurley

Sash Velour, winner of Season 9 of RuPaul’s Drag Race, brings a performance art aesthetic to Drag in her one-queen show Smoke & Mirrors, and the result is a technically impressive blend of camp, memoir, and fabulousness.

Photo by Jeff Eason
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22
Apr

Singin’ in the Rain is a Delightful Revisit to A Glorious Feeling.

By Patrick Hurley

There are very few movie musicals that are so well-written, solidly structured and infused with such joy that a mere re-creation on stage almost seventy years later actually works. Singin’ In the Rain, playing now at La Mirada Theatre for the Performing Arts, is such a show.

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18
Apr

Falsettos Does Set Oh So Typical Standards.

By Patrick Hurley

Photo by Joan Marcus

In the pantheon of Musical theater, where originality has been ebbing farther and farther away from the reboot, remake, revival culture that is Broadway- we find ourselves, quite inexplicably, stranded on the nearly three-hour island that is Falsettos, playing now at the Ahmanson.

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6
Apr

Didion’s Search for Meaning Opens a World of Wonder

By Patrick Hurley

The intersection between past and future, between meaning and chaos- all the lingering inertia that implies a sense of false permanence and comfort come together in the telling of Joan Didion’s masterwork, “The White Album,” a seminal essay that deals with the struggles, both visceral and cultural, that defined a generation of Americans, and gives voice to the uncertainty, the freedom, and the impossible thrust toward more progressive modernity. The time was the late 1960s, the place was Los Angeles and the voice was Joan Didion. CAP UCLA in association with Center Theatre Group presents the essay as a performance piece created by Lars Jan/Early Morning Opera.

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carotid artistry

the double functions of the external and the internal

Patrick Hurley

Writes Plays & TV. Rewrites Queer History.

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